簡介：Soo-kyung is a news reporter with a troubled past. Back then when she was a teenager, she and her best friend Min-soo wanted to go to a park, but there Min-soo disappeared without a trace. Soo-kyung felt responsible and decided to become a journalist, to investigate the case on her own. But until now she has found no sign of her friend. One day, she gets a call from her childhood-friend Min-gook who insists that he saw Min-soo. Soo-kyung doesn't believe him at first, but finally she is able to meet Min-soo again. Min-soo in return confirms her identity and also recognizes Soo-kyung, but she behaves totally different. Soo-kyung feels that something is still terribly wrong and everything points to Min-soo's boyfriend Dong-min.
簡介：A pair of lovers murder the man's wife so they can be together. However, the body is never recovered and signs start appearing that suggest she may still be alive.
簡介：The story of Yeon-Hee who appears to be having a happily married life but is actually experiencing domestic violence. Little by little, Yeon-Hee begins to fall into danger after her SNS account was hacked.
簡介：SYNOPSISYoung-ah lives with her mother in poverty dreaming of becoming a super fashion model. One day she is seduced by Doo-shik, a drug dealer, lose her virginity, and forced into work for the gang. Best fighter in town, Kang Baek-chon who lost a brother to drug is determined to destroy drug dealing organization. While investigating his friend Man-bok's car accident, he meets Young-ah. She has become a different person by then. Head of the drug dealing organization orders his right arm Cobra to strengthen security and sales profit. Young-ah joins the organization tempted by money. Baek-chon gets Young-ah out of the gang and destroy them but dies in her arms.故事嬰兒的著名時尚模特的夢想生活在一個單親母親在困難的環(huán)境。她遭受誘惑哪一個贏得了我hiroppong組織被迫失去童貞，甚至成為該組織的成員dusik。工作因子河baekcheon拳頭全世界都在關注他的弟弟被販毒集團擺脫毒癮毀了。朋友飽然后打車遇到的藝術兒誰追蹤其背后的。她已經(jīng)轉(zhuǎn)化為另一個女人。總維修hiroppong組織的總統(tǒng)下令，以提高安全性打手眼鏡蛇和銷售。嬰兒期是該組織最終可以賺很多錢的誘惑的成員。Baekcheon正在尋求眼鏡蛇嬰兒的成員。津蓋忽視hiroppong組織，但模具抱住了她。
簡介：Dim witted Dong-chul (Kim Myeong-kon) roams the streets of downtown Seoul wearing the clothes and watch left behind by a film director (Lee Jang-ho) who committed suicide. One day, he sees a pretty college student named Hye-young (Lee Bo-hee). He conspires with auto mechanic Yuk-deok (Lee Hee-seong) to kidnap her, only to discover that she is not a college student but a prostitute. After the taxi Yuk-deok snuck out of the shop is stolen, he and Dong-chul starve for a while, then manage to earn their meals by running errands in the red light district where Hye-young lives. But they are kicked out again when they are caught trying to help a new girl from the country escape. Hye-young sets out after Dong-chul and Yuk-deok, and the three of them enjoy a pleasant time at a seaside resort before Hye-young goes on her way. While working as waiters at a saloon in Seoul, Dong-chul and Yuk-deok run into Hye-young, who is there as a companion for one of the guests. During the ensuing party, Hye-young becomes the plaything of the upper-class men in attendance and eventually loses her life. Dong-chul and Yuk-deok deck her out in fineries and carry her out on their shoulders to bury her.
簡介：Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)